Lemons, lighting, light, design, illuminate, bright, trees, lemon An allée of Cape rough-skinned lemons is masterfully illuminated by lighting design consultancy Lightscape and designer Tredeaux Grobler.
Gone are the ubiquitous spike lights that make blobs of light in the shrubbery. A new approach, with the emphasis on ambience, is changing the way our gardens look and feel after dark; we asked landscape designer Franchesca Watson to shed light on the latest trends.
I have a little water feature just outside the window in my living room, and it makes a backdrop to my drinks tray. It’s lovely and simple – a square stone base with a metal disc nestled into the top, from which water tumbles. I’ve lit it from above the window and directed the light down onto it to create a diffused halo-like effect, and the whole area has come alive.
Lighting outside important windows in the house at night adds great appeal to what’s beyond the windows, as well as preventing them behaving like mirrors reflecting one’s silhouette. I will sometimes light a water feature from beneath the water if the water's clear; but when doing this, take care to conceal the light source from the most direct viewpoint, or you merely create an unattractive blind spot.
Lighting garden sculpture requires careful consideration, particularly if the sculpture is set on a lawn or a paved surface. In these circumstances light fittings are difficult to disguise, and can distract from the overall effect of the sculpture. Setting lighting discreetly into a plinth that supports the sculpture does help, but this often necessitates that the plinth be quite large. If it’s called for, I will plant beneath a sculpture to conceal the light fittings.
The planting also diffuses the light, creating a soft glow as opposed to the spotlight effect of old. If the lights can be placed out of sight, perhaps on a wall or a tree, it's often better to illuminate sculpture from above. I once worked with lighting designer Paul Pamboukian to light an enormous sculpture. He came up with the great idea of setting boulders around the sculpture, making cracks in them, and then housing the lights within the cracks, which then shone out onto the artpiece. It was magnificent.
Here are my top pointers when lighting your own garden or special outdoor space:
Text by Franchesca Watson
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